Wednesday Editorial: On Book Covers
We actually had a guest-editorial scheduled this week, but we’re pushing it back a week to talk a little about book covers.
There’s been a lot of interest surrounding yesterday’s post about the Dragon and the Stars anthology cover (see responses in the comments thread, as well as from Jolantru, Janet Chui and Sean Wallace), but that merely ties into a larger discussion going on at the moment. And that, in turn goes back to the fact 2009 saw a first large-scale discussion on race in science fiction, which is still on-going.
Now, the World SF News Blog is dedicated to highlighting international SF, but that is not to say we can, or should, ignore what is going on within the American and UK world of publishing. A discussion on race is important. So are discussions on gender, and sexuality, all of which are going on still, and will continue for a good long while.
N.K. Jemisin discusses Why I Think RaceFail Was The Bestest Thing Evar for SFF:
it used to be very noticeable that I could at least broach the subject of race in every other aspect of my life — academia, the counseling psych field, political activism of course, literature/art in general — but not in SFF. The conversations would simply shut down, often thanks to respected personages/fans who would emphatically declare that there was no racism in the genre outside of a few unimportant loudmouths, and no need to discuss race since there was no racism, so let’s move on to something interesting like quantum physics.
Now, suddenly, everyone’s talking about race, and I cannot tell you how happy that makes me. – read the rest of the post.
Lots of comments in the thread above, as could be expected. And yet the current topic stirring people is that Bloomsbury had once again featured a white model on the cover of a book about a dark-skinned girl:
Prompting Ellen Datlow, amongst others, to write an open letter to Bloomsbury:
I was very aware of the controversy over Justine Larbalestier Liar last year (for one thing, she’s a friend of mine) and note that Bloomsbury backed off and changed the cover image from a young white woman to a (very light) African American woman. But it seems that your company still hasn’t learned that this kind of racism is no longer going to be ignored by the children’s lit community. You’ve done it again with Jaclyn Dolamore’s first novel Magic Under Glass about a dark-skinned young woman from the far east. Please stop assuming that 1) no one (black or white) notices and 2) that we don’t care.
I’ve been in publishing for over thirty five years so you don’t need to inform me about marketing, etc.
These things affect all writers. Just an an anecdotal instance, a South African friend of mine was asked to change his main character from South African to British because “the readers don’t want to buy stories featuring South African characters”. Which is reminiscent of John W. Campbell Jr. asking one of the writers for Astounding to change his name for the magazine because it was “too Jewish, and readers won’t pick up the magazine”. As Isaac Asimov pointed out in his memoirs, Campbell meant it was too Jewish for him.
You can always blame the readers, it seems to me. And so, it is nice to see at least one publisher who seems to have no problem with black people on the covers of their books, which happens to return back to proper WSNB territory: the recently-revealed cover for South African writer Lauren Beukes‘ second novel, Zoo City (art by John Picacio):
Who earlier also released the cover for Maurice Broaddus‘ first novel, King Maker (cover by Steve Stone):
And so we get discussion, which is a good thing – and we get to question some basic assumptions of the publishing world, and of the people who make decisions in it, which is a good thing, too. There’s a lot to talk about, a lot to question – and isn’t that the point of speculative fiction?
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