The Serbian literary establishment is proverbially conservative and traditional. They still consider there can’t be any serious literature outside what they define as “great national themes.” Since my writing doesn’t belong to that category, and yet still has an impact abroad (I am currently one of most widely translated Serbian authors), they are now in some sort of a bind. They don’t know what to do with me. They can’t accept “the verdict” of the rest of the world without jeopardizing their conservatism. I have no reason to seek their approval. Approval will probably come by itself with the new generation of the Serbian literary scholars. – read the rest of the interview.