Fabio Fernandes gathers a number of writers on SF Signal to discuss How To Write Science Fiction on a Post-Colonial World, with some fascinating answers. Participants are Joyce Chng, Ekaterina Sedia, Karen Lord, Jaymee Goh, Jeffrey Thomas, Farah Mendlesohn, Jeff VanderMeer, Karin Lowachee and Vandana Singh. I like this answer from Jaymee Goh: Jaymee Goh... Continue Reading →
Original Content: Non-Western SF Roundtable (Part 2)
Part 2 of our roundtable on Non-Western SF. Part 1 is here. Participating: Aliette de Bodard (France), Joyce Chng (Singapore), Requires Hate(Thailand), Rochita Loenen-Ruiz (Philippines/The Netherlands),Ekaterina Sedia (Russian/USA), Rachel Swirsky (USA). # Aliette: We talk about colonisation, which is mostly a phenomenon of the past (but which has left marks and scars everywhere that will take a long time to fade); but I think we... Continue Reading →
Monday Original Content: Non-Western SF Roundtable (Part 1)
SF is the literature of the imaginary. How can the imaginations of writers from outside the Western narrative contribute new perspectives to this literature? - Fabio Fernandes Fabio Fernandes has recently given Locus a prompt for a round table, above. The resultant round table discussion was notable for a near complete absence of non-Westerners -... Continue Reading →
Ekaterina Sedia interviewed at Airship Ambassador
Ekaterina Sedia is interviewed at Airship Ambassador, talking about steampunk, fashion and latest novel Heart of Iron. Part one of the interview is here, and part two here. AA: The Alchemy of Stone was about feminism, free will, class struggle, and religion, and The House of Discarded Dreams is a place where forgotten dreams fester and take on a life of... Continue Reading →
The Encyclopaedia of Feminism According to Harry Potter
Ekaterina Sedia recently translated this delightful, non-existent table of contents for an Encyclopaedia of Feminism According to Harry Potter, compiled by Russian fans. We thought it was too good not to share! Encyclopaedia of Feminism According to Harry Potter The Practice of Female Separatism in Daily Life of Luna Lovegood Hermione Granger on Liberal Feminism Female... Continue Reading →
Maurice Broaddus interviews Ekaterina Sedia
Maurice Broaddus interviews Apex Book of World SF 2 contributor Ekaterina Sedia (author of the fantastic The Secret History of Moscow and the recent The House of Discarded Dreams): 2. Is African folklore an interest of yours? What made you decide to explore this for a fantasy novel? With themes of the lingering effects of colonialism... Continue Reading →
Ekaterina Sedia on Tor.com (Ekaterina Sedia) on Challenges of Writing Alternate History Set in Other Cultures
Over at Tor.com, Ekaterina Sedia has a post on Challenges of Writing Alternate History Set in Other Cultures. Here's an excerpt: As someone who writes steampunk set outside of the familiar western milieu, I find it extremely challenging – because many readers do not have a very detailed picture of Russian or Chinese real history,... Continue Reading →
Monday Original Content: (Global) Women in SF Round Table
I am delighted to introduce this week's original feature, a round table on women in SF, from a global perspective, with some of our favourite authors. Without further ado: (Global) Women in Science Fiction Round Table With: Aliette de Bodard (France), Joyce Chng (Singapore), Csilla Kleinheincz (Hungary), Kate Elliott (US), Karen Lord (Barbados), Ekaterina Sedia... Continue Reading →
And the winners are!
And we have winners! I'd like to thank everyone who entered the competition this week, and everyone who's visited the blog to check out our Ekaterina Sedia Week. It seems to have been a great success, so I'll look forward to running another author week soon! I used a random number generator to pick up... Continue Reading →
Guest-Post: “Seeing Through Foreign Eyes” by Ekaterina Sedia (Author Week #1)
Seeing Through Foreign Eyes By Ekaterina Sedia What is it like, to write in a foreign language? This is the question I get a lot; a better one would be “what is it like to write in English, primarily for the American audience, that doesn't share your cultural references?” But it is a long, awkward... Continue Reading →