Swedish author Karin Tidbeck‘s latest short story, Sing, is online at tor.com:
The cold dawn light creeps onto the mountaintops; they emerge like islands in the valley’s dark sea, tendrils of steam rising up from the thickets clinging to the rock. Right now there’s no sound of birdsong or crickets, no hiss of wind in the trees. When Maderakka’s great shadow has sunk back below the horizon, twitter and chirp will return in a shocking explosion of sound. For now, we sit in complete silence.
The birds have left. Petr lies with his head in my lap, his chest rising and falling so quickly it’s almost a flutter, his pulse rushing under the skin. The bits of eggshell I couldn’t get out of his mouth, those that have already made their way into him, spread whiteness into the surrounding flesh. If only I could hear that he’s breathing properly. His eyes are rolled back into his head, his arms and legs curled up against his body like a baby’s. If he’s conscious, he must be in pain. I hope he’s not conscious.
A strangely shaped man came in the door and stepped up to the counter. He made a full turn to look at the mess in my workshop: the fabrics, the cutting table, the bits of pattern. Then he looked directly at me. He was definitely not from here—no one had told him not to do that. I almost wanted to correct him:leave, you’re not supposed to make contact like that, you’re supposed to pretend you can’t see me and tell the air what you want. But I was curious about what he might do. I was too used to avoiding eye contact, so I concentrated carefully on the rest of him: the squat body with its weirdly broad shoulders, the swelling upper arms and legs. The cropped copper on his head. I’d never seen anything like it. – continue reading.
Swedish author Karin Tidbeck‘s latest short story, I Have Placed My Sickness Upon You, is now up at Strange Horizons.
Then came that Thursday in February when I stepped into my psychiatrist’s office and was presented with a goat.
I was in treatment, but it wasn’t going well. I suffered from recursive treatment-resistant depression or, possibly, bipolar II disorder—my doctors wouldn’t settle on a diagnosis. Whatever you called it, it was hell. Over the years, I had tried every combination of the usual substances: MAOIs, tricyclic and tetracyclic antidepressants, SSRIs and SNRIs, mood stabilizers and anti-anxiety medication. They mostly gave me side-effects. I was bloated and sweaty and twitchy, but still depressed. The doctors were trying to get me into ECT, but I was reluctant. This is where the goat came in.
Dr. Andersson was in the office already. She took a chair in what was supposed to be the cosy corner: two armchairs, a little table with a box of tissues, a vase of flowers. On the wall hung a painting of a moose cresting a hilltop. Dr. Andersson looked like she usually did. Today, her bowl haircut and shapeless green muumuu were complemented by a necklace of wooden zebras. She was holding a leash. At the end of the leash, standing beside her chair, was the goat. It was small, reaching up to my knees, and jet black with floppy ears. It was nibbling on the armrest. I sat down in the opposite chair.
“This is your new treatment,” said Dr. Andersson. “It’s the latest in experimental therapy. I thought we might let you have a try, seeing as you’re a bit hesitant about ECT.”
“I see,” I said.
Dr. Andersson adjusted her glasses. “Do you know the origins of the word ‘scapegoat’?”
“Sure,” I replied. “Old Hebrew stuff. A goat sent out into the desert for everyone’s sins.”
“Exactly.” Dr. Andersson scratched the goat behind the ears. “This is a Sadgoat.”
I looked at the goat. It looked back at me, its horizontal pupils narrowing.
“I’m confused,” I said. – continue reading.
Karin Tidbeck was named winner of the 2013 William L. Crawford Fantasy Award for her 2012 collection Jagannath: Stories (Cheeky Frawg Books).
The award, which includes a cash prize, is presented annually at the International Conference on the Fantastic in the Arts, and is designated for an exceptionally promising writer whose first fantasy book was published the preceding year. Prior winners include Jonathan Lethem, Charles de Lint, Greer Gilman, Judith Tarr, Kij Johnson, Joe Hill, M. Rickert, Daryl Gregory, Christopher Barzak, Jedediah Berry, Karen Lord and, last year, Genevieve Valentine.
The final decision was a difficult one for the nominating committee, with Rachel Hartman a close runner-up with her novel Seraphina (Random House). The other shortlisted nominees for this year’s award were Saladin Ahmed for Throne of the Crescent Moon (DAW), Roz Kaveney forRituals (Plus One), and Kiini Ibura Salaam for Ancient, Ancient (Aqueduct). Those participating in the selection included Karen Burnham, Stacie Hanes, Niall Harrison, Ellen Klages, Cheryl Morgan, Graham Sleight, Jonathan Strahan, and Liza Groen Trombi.
Tidbeck was a 2012 co-recipient of the World SF Travel Fund.
Set up last year to enable one or more international people involved in science fiction, fantasy or horror to travel to a major genre event, this year’s two recipients of the World SF Travel Fund are Swedish authors Karin Tidbeck and Nene Ormes. Both will be attending World Fantasy Con 2012 in Toronto, Ontario, also helped by the kind assistance of Cheeky Frawg Books (Ann & Jeff VanderMeer).
Karin Tidbeck has published one story collection, won a prestigious literary grant, and just sold her first novel to Sweden’s largest publisher. A graduateof the iconic Clarion Writer’s Workshop at the University of California, San Diego, in 2010, her English-language publication history includes Weird Tales, Shimmer Magazine, Unstuck Annualand the anthology Odd. Her first English-language collection, Jagannath, will be published by Cheeky Frawg books in November 2012, and has already been blurbed by the likes of China Mieville and Ursula K. Le Guin. Tidbeck blogs at karintidbeck.com and has an author page atwww.facebook.com/ktidbeck
Nene Ormes has been dubbed Sweden’s first urban fantasy author. She debuted in 2010 with the critically acclaimed novel Udda Verklighet (“Odd Reality”), a tale that draws on folklore and local legend to create a unique vision of her native Malmö. The sequel, Särskild (“Special”), is out in August 2012. Ormes was awarded a prestigious working grant from the Swedish Authors’ Fund this spring. Originally a trained archaeologist, Ormes writes part-time and works in SF-Bokhandeln, Sweden’s oldest and most popular science fiction and fantasy bookstore. Ormes blogs at neneormes.wordpress.com and has an author page on FB: www.facebook.com/pages/Nene-Ormes/163512086998912
The World SF Travel Fund Board, tasked with selecting future candidates, is composed of Lauren Beukes, Aliette de Bodard, Nnedi Okorafor, Ekaterina Sedia, and Charles Tan, with Lavie Tidhar and Sean Wallace acting as administrators for the fund, reflecting the truly international nature of the SF world today. For inquiries and further information please contact email@example.com.
Jeff VanderMeer has announced Swedish author Karin Tidbeck’s debut English-language collection, Jagannath:
Here at Cheeky Frawg, we’re getting more and more excited about the fall release of Swedish author Karin Tidbeck’s debut English-language collection Jagannath, which will be available in e-book and trade paperback formats. We hope to have a book release party at World Fantasy Convention in Toronto, and there is a possibility that the author will be able to attend.
Check out these advance blurbs!
URSULA K. LE GUIN: “I have never read anything like Jagannath. Karin Tidbeck’s imagination is recognisably Nordic, but otherwise unclassifiable–quietly, intelligently, unutterably strange. And various. And ominous. And funny. And mysteriously tender. These are wonderful stories.”
CHINA MIEVILLE: “Restrained and vivid, poised and strange, Tidbeck, with her impossible harmonies, is a vital voice.”
KAREN JOY FOWLER: “Tidbeck has a gift for the uncanny and the unsettling. In these wonderful, subtle stories, magic arrives quietly. It comes from the forests or the earth or was always there in your own family or maybe exists in another realm entirely. It arises from the pages as you read, leaving you slightly dazed and more than a little enchanted.”
KAREN LORD: “The mundane becomes strange and the strange familiar with near-Hitchcockian subtlety. I loved Tidbeck’s clean, classic prose. It creates beautifully eerie music for a twilight domain.”
Under the cut, find more information about this excellent book–out in November. I’ll have some advance reader copies at ReaderCon. (In other news, we have the translation of Finnish writer Leena Krohn’s novel Datura and will have a pub date for it shortly, along with a pub date for a collection by Amos Tutuola.)
Enter the strange and wonderful world of Swedish sensation Karin Tidbeck with this feast of darkly fantastical stories. Whether through the falsified historical record of the uniquely weird Swedish creature known as the “Pyret” or the title story, “Jagannath,” about a biological ark in the far future, Tidbeck’s unique imagination will enthrall, amuse, and unsettle you. How else to describe a collection that includes “Cloudberry Jam,” a story that opens with the line “I made you in a tin can”? Marvels, quirky character studies, and outright surreal monstrosities await you in what is likely to be one of the most talked-about short story collections of the year.
About the Author: Karin Tidbeck is a rising star in her native country, having published a collection there in Swedish, won a prestigious literary grant, and just sold her first novel to Sweden’s largest publisher. A graduate of the iconic Clarion Writer’s Workshop at the University of California, San Diego, in 2010, her English-language publication history includes Weird Tales, Shimmer Magazine, Unstuck Annual and the anthology Odd.
For fans of: Kelly Link, Elizabeth Hand, Karen Russell, Lauren Groff, Ursula K. Le Guin, and China Mieville.
Cheeky Frawg is a literary imprint founded by Hugo Award-winner Ann VanderMeer and her husband World Fantasy Award winner Jeff VanderMeer.